Revisiting Stella Dallas from a cognitive theory of film perspective – Offscreen
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Different approaches address melodrama from different perspectives and usually focus on different aspects of a melodramatic production. Most of the approaches rely heavily on theories in ways of understanding melodrama. A cognitive theory of film focuses on the way audiences in general perceive a film. Staying within the framework of a cognitive theory of film, I have analyzed audience’s comments on Stella Dallas (1937) found at customer’s review. The analysis is supported by a close reading of the last sequence of the film.
Pádraic E. Moore
From Affliction to Empathy: Melodrama and Mental Illness in Recent
October 1, 2023: Volume XCI, No. 19 by Kirkus Reviews - Issuu
File:Stella-dallas-lobby-1925.jpg - Wikipedia
Revisiting Stella Dallas from a cognitive theory of film
PDF) Information, reception and film: A reader-response analysis
July 1, 2023: Volume XCI, No. 13 by Kirkus Reviews - Issuu
Clayton George Wickham - final thesis
Stella Dallas — Feminist Press
ANNE SHIRLEY and BARBARA STANWYCK in STELLA DALLAS (1937), directed by KING VIDOR. - SuperStock
Stella Dallas 1937 Where to stream or watch on TV in AUS